“We get along really well, we don’t argue or get drunk and call each other bastards.”
READ MORESince Mika Miko split and No Age started touring the world, LA’s The Smell scene has been searching for a new, less garage-y sound, and its found it in ravesploitation.
Liars have always been proponents of the idea of more – more bass, more fuzz, more weirdness.
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Digital Leather
Warm Brother
[Fat Possum]6/10 |
Digital Leather (aka Shawn Foree) has all the energetic key prodding style, morose disposition and cold sarcasm of Gary Numan, but ups the ante with sinister vintage synth jabs, simple mechanical beats and lyrics so unabashedly dark it’s hard to tell how seriously to take them – but then nothing says ‘twisted tongue-in-cheek’ like a Nazi slang album title. Foree’s stiff-jointed vocals are almost expressionless throughout, while the music conveys ‘Warm Brother’’s fraught, manic-depressive trajectory, from the vicious, pounding momentum of ‘Bugs On Glue’, past some upbeat acoustic noodling, complete with cheerful whistling on ‘Hurts So Bad’, right down to the bleakness of ‘My Fame’, a track of nauseous guitar wooziness and synth rasp, surrounding monotonous, bitter ranting about a screwed-up relationship. This should be a tough listen but is somehow strangely accessible.
By Polly Rappaport
Factory Floor / Bitches / Flats / Memoryhouse / Becoming Real / Eighties Matchbox B-Line Disaster
This week we’ve been listening to Dels [pictured], Frankie Rose & The Outs, Disclosure, Rusko and El Guincho.
LISTEN HEREPop music: the most annoying, tenuously linked product pushed via the World Cup.
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