“We get along really well, we don’t argue or get drunk and call each other bastards.”
READ MORESince Mika Miko split and No Age started touring the world, LA’s The Smell scene has been searching for a new, less garage-y sound, and its found it in ravesploitation.
Liars have always been proponents of the idea of more – more bass, more fuzz, more weirdness.
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The Dutchess & The Duke
Sunset/Sunrise
[Hardly Art]7/10 |
Using the movement of the sun as a metaphor for life and death most certainly isn’t a novel approach, but Seattle duo The Dutchess & The Duke have decided that it is the one that works best for telling their slightly whimsical, melancholic stories. Having moved on from the upbeat country-folk of their first album, Jesse Lortz and Kimberley Morrison are now looking at the bigger picture, both lyrically and musically, and it works, despite the odd moment of derivative 60’s pastiche. The lovely, slender paced ‘Hands’ adds a subtle organ line, while ‘Never Had A Chance’ is Slow Club with a wistful, whiskey-fuelled kick. The piano-led closer ‘The River’ looks back at times gone by and picks up on the life/death theme one last time, and too their credit, The Dutchess & The Duke largely manage to steer clear of sounding melodramatic or pompous.
Factory Floor / Bitches / Flats / Memoryhouse / Becoming Real / Eighties Matchbox B-Line Disaster
This week we’ve been listening to Dels [pictured], Frankie Rose & The Outs, Disclosure, Rusko and El Guincho.
LISTEN HEREPop music: the most annoying, tenuously linked product pushed via the World Cup.
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