“Ceratosaurus are my favourite dinosaur,” says Brian without a second thought. “It was basically like a T-Rex but with a horn on its nose. Pretty badass.
READ MOREIf ‘Sixes & Sevens’ saw Adam Green taking things down a notch from the bristling energy displayed on ‘Jacket…’ and ‘Gemstones’, ‘Minor Love’ has dimmed the lights a touch more.
An epiphany bathed in golden light strums elegantly on her guitar; the audience take a sharp intake of breath, then… BONG, the epiphany pisses herself laughing.
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Eels
End Times
[V2]5/10 |
Eels’ frontman Mark “E” Everett has never been the type to embrace the warmer things in the world – even commercial vehicle ‘Novacaine For the Soul’ smacked of a certain melancholic desperation. Over the course of his band’s 15-year career, he’s actively seeked out life’s darker moments, if anything, and this shows no signs of abating on eighth studio album ‘End Times’. Mainly acoustic and devoid of any noticeable production, the album is smothered by enormous sadness. The tracks are graceful in their composition and the lyrics avoid outright self-pity, but the whole thing is laden with such world weariness that it is hard to listen to. It feels like the creation of a man who has fallen out of love with the world. It’s poetic, at times gut-wrenching, but mostly very, very depressing. For hardened Eels fans only.
By Tom Goodwyn
This week, tracks from Dum Dum Girls, HEALTH, Washed Out, Javelin and Andrew WK
LISTEN HEREOver the past 10 years alternative music went overground… and, sadly, stayed there
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