“We get along really well, we don’t argue or get drunk and call each other bastards.”
READ MORESince Mika Miko split and No Age started touring the world, LA’s The Smell scene has been searching for a new, less garage-y sound, and its found it in ravesploitation.
Liars have always been proponents of the idea of more – more bass, more fuzz, more weirdness.
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Fool's Gold
Fool's Gold
[IAMSOUND]8/10 |
It’s customary at this time of year for the music press to not only peak at neighbours’ Ones-To-Watch lists and regurgitate a staple ten names as their own but also take a punt at next year’s alternative genre of choice. And Afrobeat is looking like a frontrunner. Yeasayer are back, as are Vampire Weekend in early 2010, with Foals not far behind and the Paul Simon-influenced Fair Ohs looking set to be on the smartest of OTW polls. Eleven-strong LA collective Fool’s Gold only stoke the World Music fire with this debut album. It all begins with ‘Surprise Hotel’, which sounds like it could belong to The Very Best, and while a bold, hip-curling start of windy guitars and smooth chants, it’s constantly bettered by orchestras of tribal melodies and Beirut-esque multi-instrumentation. Afrobeat and Fool’s Gold are a welcome way to begin the year.
By Danny Canter
Factory Floor / Bitches / Flats / Memoryhouse / Becoming Real / Eighties Matchbox B-Line Disaster
This week we’ve been listening to Dels [pictured], Frankie Rose & The Outs, Disclosure, Rusko and El Guincho.
LISTEN HEREPop music: the most annoying, tenuously linked product pushed via the World Cup.
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