“We get along really well, we don’t argue or get drunk and call each other bastards.”
READ MORESince Mika Miko split and No Age started touring the world, LA’s The Smell scene has been searching for a new, less garage-y sound, and its found it in ravesploitation.
Liars have always been proponents of the idea of more – more bass, more fuzz, more weirdness.
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Part Chimp
The Engine Rooms
Brighton
5/12/09 |
To some, the idea of metal or hard rock constitutes little more then strapping on an AC/DC t-shirt from Topshop before gearing up for a serious session of guitar hero. Part Chimp’s response to this would be to mockingly flick up a devil horn hand gesture. While others try their best to dress the part, these post-rockers live it. Tonight, in front of a passionately eager looking crowd, they deliver a rollicking set of basic balls to the floor, all-out-ear-abusing, noise-loving Neanderthal rock. Broken down into its vital components, what Part Chimp do does not look exceptional – they all too often tie themselves to a rigid simple formula dominated by big thick distorted sludgy riffs, colliding with brutal animalistic high speed drumming, which is played at volumes so ear-splintering loud that the American government could brandish exposure as a new way of interrogating terror suspects. So no, they may not be the most over complicated of prospects, but sometimes simplicity is the key to having a good time and for these moments Part Chimp cannot be rivalled.
By Nathan Westley
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Originally published in issue 13 (vol 3) of Loud And Quiet. December 2009
Factory Floor / Bitches / Flats / Memoryhouse / Becoming Real / Eighties Matchbox B-Line Disaster
This week we’ve been listening to Dels [pictured], Frankie Rose & The Outs, Disclosure, Rusko and El Guincho.
LISTEN HEREPop music: the most annoying, tenuously linked product pushed via the World Cup.
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