Antiquarian book dealer, illustrator, singer, taxidermist.
READ MOREYour worst fears about ‘Nothing’ are probably right. The late-year, post-album extended-play sounds like the runoff of a few constructions that didn’t make the cut for ‘Dedication’.
It’s hard to fathom that British Sea Power now have five albums under their belts.
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Part Chimp
The Engine Rooms
Brighton
5/12/09 |
To some, the idea of metal or hard rock constitutes little more then strapping on an AC/DC t-shirt from Topshop before gearing up for a serious session of guitar hero. Part Chimp’s response to this would be to mockingly flick up a devil horn hand gesture. While others try their best to dress the part, these post-rockers live it. Tonight, in front of a passionately eager looking crowd, they deliver a rollicking set of basic balls to the floor, all-out-ear-abusing, noise-loving Neanderthal rock. Broken down into its vital components, what Part Chimp do does not look exceptional – they all too often tie themselves to a rigid simple formula dominated by big thick distorted sludgy riffs, colliding with brutal animalistic high speed drumming, which is played at volumes so ear-splintering loud that the American government could brandish exposure as a new way of interrogating terror suspects. So no, they may not be the most over complicated of prospects, but sometimes simplicity is the key to having a good time and for these moments Part Chimp cannot be rivalled.
By Nathan Westley
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Originally published in issue 13 (vol 3) of Loud And Quiet. December 2009
The best shows are most often those where artist and audience fall into a frenzied feedback loop of mutual appreciation.
Some tech-savvy good Samaritan recently ripped and uploaded a BBC radio documentary about house music grandaddy Larry Levan.
King’s College seems an odd venue for Australian singer-songwriter Gotye.
Save for an old electronic keyboard and a delay pedal that makes singer Kamal’s vocals ping-pong out of the room, Flamingods don’t do instruments with wires.
Drugs. They’re rife within popular music. Especially within the type that Texan trio Pure X make, courtesy of a Spiritualized habit they just can’t (or won’t) kick.
Sisters Hannah and Colette Thurlow famously named their bristly, glowering rock band after a favourite moment on a Melvins song, 2 minutes and 54 seconds in, to be precise.
The man formerly known as MF Doom returns to the Roundhouse for a sold-out show, barely a year after his debut European performance in the same venue.
In the studio, Caged Animals (Soft Black’s Vincent Cacchione’s new baby) deal in a faintly cloying, suburban youth-channelling indie with a twist.
Despite the days of Union Jack plastered guitars and weather-worn parkas being a prerequisite of any northern based guitar band being long gone.
“It’s hard to believe that in this very room they used to have gladiators fighting to the death,” exclaims Metronomy main-man Joe Mount.
This week we’ve been listening to new music from The Proper Ornaments, The Weeknd, Electricity In Our Homes, Sunless ’97 and Ceremony [pictured].
LISTEN HEREDropping his iPhone was the best thing that ever happened to Reef Younis.
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