“We get along really well, we don’t argue or get drunk and call each other bastards.”
READ MORESince Mika Miko split and No Age started touring the world, LA’s The Smell scene has been searching for a new, less garage-y sound, and its found it in ravesploitation.
Liars have always been proponents of the idea of more – more bass, more fuzz, more weirdness.
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Adam Green
Minor Love
[Rough Trade]7/10 |
If ‘Sixes & Sevens’ saw Adam Green taking things down a notch from the bristling energy displayed on ‘Jacket…’ and ‘Gemstones’, ‘Minor Love’ has dimmed the lights a touch more; his hard, smooth voice has taken on a smoky quality, occasionally going rough around the edges, a brief, slightly scratched note. ‘Boss Inside’ has a Cohen-ish melancholy about it, accompanied only by a piano, and ‘Stadium Soul’ sounds distant, echoing as though it had been recorded at the bottom of a well. Green’s characteristic, effortlessly clever stream of consciousness lyrics are sharp and on form but there is a slightly weary, reflective overall quality to the album, his angry, tongue-in-cheek humour having sat down with a tepid whisky to percolate and take stock. It’s a darker shade of Green, and it looks good on him.
By Polly Rappaport
Factory Floor / Bitches / Flats / Memoryhouse / Becoming Real / Eighties Matchbox B-Line Disaster
This week we’ve been listening to Dels [pictured], Frankie Rose & The Outs, Disclosure, Rusko and El Guincho.
LISTEN HEREPop music: the most annoying, tenuously linked product pushed via the World Cup.
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