The self-styled lo-fi rebel hip-hop of Catherine Harris-White and Stasia Irons.
READ MOREIn life, we are often held back by limitations that are either of our own making or unjustly placed upon us.
With the frequency in which a new pop siren is rolled out by some label or another it’s always somebody else’s go.
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New Young Pony Club
The Optimist
[The Numbers]5/10
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It’s early 2010 and the Class of ’07 Reunion is underway. These New Puritans are blanking the buffet, stoic as ever but un-recognisable to their ex-piers, an extra vanilla Sunshine Underground have turned up without dates, past their prime, Klaxons are “on their way” and NYPC are still wearing their old uniforms, sounding exactly as they did when we last saw them, which means they’re equipped with little more than two killer hits (‘Lost A Girl’ and the Metronomy Vs Girls Aloud-sounding ‘We Want To’). As ‘The Optimist’ fires 8 more largely forgettable synth-laden tracks it’s as impossible to muster contempt for them as feign excitement, even if there is an overall feeling that the band are desperately clawing at mainstream success via mediocrity. In the hardened disco drums of Sarah Jones, ‘The Optimist’ is, at times, better than OK, but ultimately it’s just that.
By Stuart Stubbs
Not everyone has the option to release a grab-bag aggregation of offcuts, deleted singles and remixes before their first full-length debut.
More of a collective than a band, Breton emerged from a group of filmmakers, which goes some way to explain the erratic disposition of their music.
In life, we are often held back by limitations that are either of our own making or unjustly placed upon us.
Nick Cave isn’t a man who need repeat himself very often so when he asks for the stars to come out to play.
This marks something of a break up record for Julie Ann Baenziger. After the rather lovely debut, ‘Songs for the Ravens’, ‘Orangefarben’ feels like a second, prolonged diary entry.
The speed with which dance music currently mutates means that even relatively new acts like Simian Mobile Disco – their debut is less than five years old – feel like establishment figures.
Black Dice began their career as anarchic thrash noiseniks fifteen years ago, performing abrupt, aggressive music designed to piss people off.
The vocals on a record can draw a listener in, or repel them. It’s also utterly unpredictable how the sound of a person’s singing voice will affect you.
The idea of a tortured artist can be an attractive one, but sometimes artists suffer from too much; too many influences, too many layers and too many ideas.
Dirty Three return for their first album in seven years, and a most welcome return it is. Few people have the command over their instruments and self-honed sound quite like Dirty Three do.
This week we’ve been listening to new music from Mac DeMarco, The Magnetic Fields, Death Grips, Anywhere and Swim Deep [pictured].
LISTEN HEREThe latest manifestation of avant-garde purveyors Experimental Circle Club.
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