The self-styled lo-fi rebel hip-hop of Catherine Harris-White and Stasia Irons.
READ MOREIn life, we are often held back by limitations that are either of our own making or unjustly placed upon us.
With the frequency in which a new pop siren is rolled out by some label or another it’s always somebody else’s go.
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Bright Eyes & Neva Dinova
One Jug Of Wine, Two Vessels
[Saddle Creak]6/10
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Collaborating with Conor Oberst must be both the Holy Grail for any alt. country artist and a poisoned chalice – the poignancy of Bright Eyes’ semi-cracking vocals and waltzing melodies shining a light on your very existence one second and showing up your meagre input the next. Jake Bellows of Neva Dinova and Oberst have been like-minded pals forever, which is how long this EP-come-LP has been in fruition (4 new Bright Eyes songs have bumped this re-release up to 10 tracks), and while it’s unfair to call the Bellows-fronted tracks mediocre or weightless there’s little escaping that it’s the sheep’s bleat of Oberst on tracks like the typically sympathy-seeking ‘Black Comedy’ and the anthemically regretful ‘Happy Accident’ that gives this record its frequent highlights.
By Stuart Stubbs
Not everyone has the option to release a grab-bag aggregation of offcuts, deleted singles and remixes before their first full-length debut.
More of a collective than a band, Breton emerged from a group of filmmakers, which goes some way to explain the erratic disposition of their music.
In life, we are often held back by limitations that are either of our own making or unjustly placed upon us.
Nick Cave isn’t a man who need repeat himself very often so when he asks for the stars to come out to play.
This marks something of a break up record for Julie Ann Baenziger. After the rather lovely debut, ‘Songs for the Ravens’, ‘Orangefarben’ feels like a second, prolonged diary entry.
The speed with which dance music currently mutates means that even relatively new acts like Simian Mobile Disco – their debut is less than five years old – feel like establishment figures.
Black Dice began their career as anarchic thrash noiseniks fifteen years ago, performing abrupt, aggressive music designed to piss people off.
The vocals on a record can draw a listener in, or repel them. It’s also utterly unpredictable how the sound of a person’s singing voice will affect you.
The idea of a tortured artist can be an attractive one, but sometimes artists suffer from too much; too many influences, too many layers and too many ideas.
Dirty Three return for their first album in seven years, and a most welcome return it is. Few people have the command over their instruments and self-honed sound quite like Dirty Three do.
This week we’ve been listening to new music from Mac DeMarco, The Magnetic Fields, Death Grips, Anywhere and Swim Deep [pictured].
LISTEN HEREThe latest manifestation of avant-garde purveyors Experimental Circle Club.
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