Antiquarian book dealer, illustrator, singer, taxidermist.
READ MOREYour worst fears about ‘Nothing’ are probably right. The late-year, post-album extended-play sounds like the runoff of a few constructions that didn’t make the cut for ‘Dedication’.
It’s hard to fathom that British Sea Power now have five albums under their belts.
READ MORE
|
High Places
The Harley
Sheffield
07/05/10 |
High Places quietly slip onto the stage and begin in an almost tentative manner after a softly spoken introduction. It seems their dreamy almost tropical take on pop songs is also representative of the pair as characters. The vocals at times range from a taint restrained murmur to floating, trance-like melodies that float throughout the venue like a lost soul. Interestingly, although two guitars are played, they are never once strummed, just persistently picked to create almost funk-like rhythms. The set dips between moments of stark, bleak instrumentation and fully blown electronic-infused pop – at times to glorious effect and others to a slightly underwhelming outcome. When it works, it really does; it amalgamates the subtleties and delicacies of ambient electronic music with stomp-your-foot, in-your-face beats that never over shadow the fragile undertones. When it works less well, it simply meanders rather than moves and it can get bogged down in its own mid-tempo slog. However, for its slight inconsistencies it’s still a rewarding and engaging show from an inventive duo.
By Daniel Dylan Wray
———–
Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
Tags: Hight Places
The best shows are most often those where artist and audience fall into a frenzied feedback loop of mutual appreciation.
Some tech-savvy good Samaritan recently ripped and uploaded a BBC radio documentary about house music grandaddy Larry Levan.
King’s College seems an odd venue for Australian singer-songwriter Gotye.
Save for an old electronic keyboard and a delay pedal that makes singer Kamal’s vocals ping-pong out of the room, Flamingods don’t do instruments with wires.
Drugs. They’re rife within popular music. Especially within the type that Texan trio Pure X make, courtesy of a Spiritualized habit they just can’t (or won’t) kick.
Sisters Hannah and Colette Thurlow famously named their bristly, glowering rock band after a favourite moment on a Melvins song, 2 minutes and 54 seconds in, to be precise.
The man formerly known as MF Doom returns to the Roundhouse for a sold-out show, barely a year after his debut European performance in the same venue.
In the studio, Caged Animals (Soft Black’s Vincent Cacchione’s new baby) deal in a faintly cloying, suburban youth-channelling indie with a twist.
Despite the days of Union Jack plastered guitars and weather-worn parkas being a prerequisite of any northern based guitar band being long gone.
“It’s hard to believe that in this very room they used to have gladiators fighting to the death,” exclaims Metronomy main-man Joe Mount.
This week we’ve been listening to new music from The Proper Ornaments, The Weeknd, Electricity In Our Homes, Sunless ’97 and Ceremony [pictured].
LISTEN HEREDropping his iPhone was the best thing that ever happened to Reef Younis.
READ MORE
