Liam Mclean is no joke. Not musically, nor when discussing his slick RnB.
READ MOREThere’s almost no doubt that the quintet of roused Australian youngsters that make up Boy & Bear are comprehensively nice.
It’s hard to fathom that British Sea Power now have five albums under their belts.
READ MORE
|
Talk Normal
Penelopes
Sheffield
28/04/10 |
The darkly clad duo from Brooklyn seem somewhat out of place stood before the gold glitter backdrop that hangs like something from a seventies bingo hall. They set up and start in the corner of the room whilst most people are still sat talking to one another. Soon Andrya Ambro’s howl begins to spread through the venue reaching every dusty corner and sounding like an unhinged or even demented Karen O. In reverse, the guitars provide something of a cover backbone for the drums, as the beat eclipses them both stylistically and rhythmically. The drum playing is relentlessly captivating – for such fragmented and disjointed cadence’s they are played with a smoothness that resembles the rolling pistons of a steam train – and while a perplexing juxtaposition, it’s also a gratifying one. The guitar playing eventually falls somewhat by the wayside as a result of such innovation, and when that accounts for fifty percent of the output, it does at times suffer as a collective output. However, when this duo are both at their best, creating a synergy, it becomes an engaging and at time ferocious cacophony.
By Daniel Dylan Wray
———–
Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
The best shows are most often those where artist and audience fall into a frenzied feedback loop of mutual appreciation.
Some tech-savvy good Samaritan recently ripped and uploaded a BBC radio documentary about house music grandaddy Larry Levan.
King’s College seems an odd venue for Australian singer-songwriter Gotye.
Save for an old electronic keyboard and a delay pedal that makes singer Kamal’s vocals ping-pong out of the room, Flamingods don’t do instruments with wires.
Drugs. They’re rife within popular music. Especially within the type that Texan trio Pure X make, courtesy of a Spiritualized habit they just can’t (or won’t) kick.
Sisters Hannah and Colette Thurlow famously named their bristly, glowering rock band after a favourite moment on a Melvins song, 2 minutes and 54 seconds in, to be precise.
The man formerly known as MF Doom returns to the Roundhouse for a sold-out show, barely a year after his debut European performance in the same venue.
In the studio, Caged Animals (Soft Black’s Vincent Cacchione’s new baby) deal in a faintly cloying, suburban youth-channelling indie with a twist.
Despite the days of Union Jack plastered guitars and weather-worn parkas being a prerequisite of any northern based guitar band being long gone.
“It’s hard to believe that in this very room they used to have gladiators fighting to the death,” exclaims Metronomy main-man Joe Mount.
This week we’ve been listening to new music from The Proper Ornaments, The Weeknd, Electricity In Our Homes, Sunless ’97 and Ceremony [pictured].
LISTEN HEREDropping his iPhone was the best thing that ever happened to Reef Younis.
READ MORE
