Antiquarian book dealer, illustrator, singer, taxidermist.
READ MOREYour worst fears about ‘Nothing’ are probably right. The late-year, post-album extended-play sounds like the runoff of a few constructions that didn’t make the cut for ‘Dedication’.
It’s hard to fathom that British Sea Power now have five albums under their belts.
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Uffie
Concorde 2
Brighton
24/04/10 |
It’s been a long time coming but electro songstress Uffie is now teetering on the edge that separates people from being an underground hipster icon and being a mainstream household name. The transition is almost certain, her debut album release is imminent and it features enough high profile collaborations to get tongues talking, but tonight’s performance may have left many of her early embracers in mourning. Though the music remains true to its original cultured electro backing and her distinctive off kilter vocal flow enough that recent accusations proclaiming her as being the person whom Ke$ha stole the majority of her act from are almost justified; the stumbling block is her stage demeanour. Where once it was wild and unpredictable, it has now been toned down to such a level that it feels like she has recently graduated from a school for wannabe pop sirens – it’s both clichéd and tame. Flanked by a DJ on one side and a keytar player on the other it feels like she is going through the motions, rolling out one traditional move after another; even the RnB staple of perching on a stool for the duration of a song is not off-limits. The once credible face of hipster pop is reaching out for the mainstream.
By Nathan Westley
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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
The best shows are most often those where artist and audience fall into a frenzied feedback loop of mutual appreciation.
Some tech-savvy good Samaritan recently ripped and uploaded a BBC radio documentary about house music grandaddy Larry Levan.
King’s College seems an odd venue for Australian singer-songwriter Gotye.
Save for an old electronic keyboard and a delay pedal that makes singer Kamal’s vocals ping-pong out of the room, Flamingods don’t do instruments with wires.
Drugs. They’re rife within popular music. Especially within the type that Texan trio Pure X make, courtesy of a Spiritualized habit they just can’t (or won’t) kick.
Sisters Hannah and Colette Thurlow famously named their bristly, glowering rock band after a favourite moment on a Melvins song, 2 minutes and 54 seconds in, to be precise.
The man formerly known as MF Doom returns to the Roundhouse for a sold-out show, barely a year after his debut European performance in the same venue.
In the studio, Caged Animals (Soft Black’s Vincent Cacchione’s new baby) deal in a faintly cloying, suburban youth-channelling indie with a twist.
Despite the days of Union Jack plastered guitars and weather-worn parkas being a prerequisite of any northern based guitar band being long gone.
“It’s hard to believe that in this very room they used to have gladiators fighting to the death,” exclaims Metronomy main-man Joe Mount.
This week we’ve been listening to new music from The Proper Ornaments, The Weeknd, Electricity In Our Homes, Sunless ’97 and Ceremony [pictured].
LISTEN HEREDropping his iPhone was the best thing that ever happened to Reef Younis.
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