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Album Review
LA VAMPIRES – SO UNREAL
LA Vampires
So Unreal
[Not Not Fun]
8/10


When LA Vampires first released ‘So Unreal’ on a limited vinyl run in 2010 it sold out in a flash, perhaps because of its superbly kitsch artwork by Spencer Longo, perhaps because Amanda Brown (she is LA Vampires) was once half of Pocahaunted – the half that wasn’t Bethany Consentino.

Consentino has since gone on to make Best Coast the surprise mayor of the beach-pop parade while Brown, as LA Vampires, has embarked on an electronic musical quest that’s largely been considered chillwave. In actual fact, it’s a lot murkier than that, and far more interesting.

Brown is a solo musician, even if she is one with a collaboration fixation. For each of her records she ropes in a guest, and on this, originally her second effort, the co-star is Matrix Metals, aka Sam Mehran, aka Sam E Danger from Test-Icicles. Mehran has long stopped squawking to screamo punk and on ‘So Unreal’ supplies the kind of glistening, gloopy electronics that made Brooklyn’s Small Black chillwave’s unsung heroes. Where the no-fi beats and star-bursting synths are concerned, this is distinctly American bedroom electronica, until Brown warbles all over it. Then, all of a sudden, ‘So Unreal’ wilts in the Californian heat quite wonderfully, somewhere between the usual floatiness you’d expect and something more uniquely demure. Each song goes on forever, almost needlessly, and the factory-beaten ‘Berlin Baby’ quickly becomes annoying in its repetitiveness, but damn that cover is cool, and like most of the records released via LA’s Not Not Fun label, so is the music within.

By Austin Laike

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DJANGO DJANGO – DJANGO DJANGO
Django Django
[Because]
8/10

From the opening hum of crickets and distant to the tribal drums, Django Django’s debut album opens with an eclectic and varying sense of experimentation.

SHARON VAN ETTEN – TRAMPS
Tramps
[Jagjaguwar]
7/10

Judging by ‘Tramps’, her second LP, Sharon Van Etten has an almost incurably mournful soul.

THOSE DARLINS – SCREWS GET LOOSE
Screws Get Loose
[Oh Wow Dang]
6/10

Fans of Those Darlins’ debut album, brace yourselves… and not in a good way.

TENNIS – YOUNG & OLD
Young & Old
[ATP]
7/10

In a world where Best Coast already exist, Tennis’ 2011 debut album, ‘Cape Dory’, was a pretty redundant affair.

DIAGRAMS – BLACK LIGHT
Black Light
[Full Time Hobby]
6/10

It’s now so easy for bedroom musicians to produce electronic music that the sheer volume of the stuff makes it difficult for individuals to stand out from the masses.

DEAR READER – IDEALISTIC ANIMALS
Idealistic Animals
[City Slang]
7/10

In ‘Idealistic Animal’, Dear Reader – aka 28 year old Cheri MacNeil – has created a break-up record in an untraditional sense.

BOY & BEAR – MOONFIRE
Moonfire
[V2]
6/10

There’s almost no doubt that the quintet of roused Australian youngsters that make up Boy & Bear are comprehensively nice.

ZOMBY – NOTHING
Nothing
[4AD]
6/10

Your worst fears about ‘Nothing’ are probably right. The late-year, post-album extended-play sounds like the runoff of a few constructions that didn’t make the cut for ‘Dedication’.

MILAGRES – GLOWING MOUTH
Glowing Mouth
[Memphis Industries]
3/10

Milagres are a Brooklyn-based quintet fronted by a certain Kyle Wilson, whose soaring vocal style sits somewhere between Thom Yorke and Chris Keating of Yeasayer.

FOE – BAD DREAM HOTLINE
Bad Dream Hotline
[Vertigo]
6/10

On first encounter, ‘Bad Dream Hotline’ is your standard emo-goth release – black on black cover art, tracks called things like ‘A Handsome Stranger Called Death’ and ‘Dance & Weep’.