THE BEGINNING

The problem with printing a physical paper is that you can soon run out of space. Here’s a bunch of photos shot for issue 36 that we just couldn’t fit in.

willisearlbeal-gallery2

THE PROBLEM WITH PRINTING A PHYSICAL PAPER IS THAT YOU CAN SOON RUN OUT OF SPACE. HERE’S A BUNCH OF PHOTOS SHOT FOR ISSUE 36 THAT WE JUST COULDN’T FIT IN

WILLIS EARL BEAL. Photography by Phil Sharp. Nottinghill, London.

CHAIRLIFT. Photography by Elinor Jones. Soho, London

KINDNESS. Photography by Leon Diaper. Recession Studio, Bethnal Green, London.

HATCHAM SOCIAL. Photography by Elliot Kennedy. Shoreditch, London.

THEESatisfaction. Photography by Lee Goldup. Brick Lane, London.

WILLIS EARL BEAL. Photography by Phil Sharp. Nottinghill, London.

WEIRD DREAMS. Photography by Phil Sharp. Dalston, London.

MARIA MINERVA. Photography by Dan Kendall. Kingland Road, Dalston, London.

HATCHAM SOCIAL. Photography by Elliot Kennedy. Shoreditch, London.

KINDNESS. Photography by Leon Diaper. Recession Studio, Bethnal Green, London.

CHAIRLIFT. Photography by Elinor Jones. Soho, London

THEESatisfaction. Photography by Lee Goldup. Brick Lane, London.

GANG COLOURS. Photography by Owen Richards. London.

WILLIS EARL BEAL. Photography by Phil Sharp. Nottinghill, London.

WEIRD DREAMS. Photography by Phil Sharp. Dalston, London.

To see more photos from these shoots in print, pick up issue 36 (vol 3) of Loud And Quiet. OUT NOW!

« Previous Article