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MI AMI
by Polly Rappaport

Too loud to be jazz

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Originally published in issue 18 (vol 3) of Loud And Quiet. June 2010
BLUE ON BLUE
by Polly Rappaport

“We get along really well, we don’t argue or get drunk and call each other bastards....

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Originally published in issue 18 (vol 3) of Loud And Quiet. June 2010
FRIENDSHIP
by Kate Parkin

Playing in drag and swinging

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Originally published in issue 18 (vol 3) of Loud And Quiet. June 2010
FORMER GHOSTS
by D. K. Golstein

The emotive super group that have hardly met each other.

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Originally published in issue 18 (vol 3) of Loud And Quiet. June 2010
CARIBOU
by Reef Younis

The impressive, ever-evolving non-career of Dan Snaith that’s lead to his fifth and best...

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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
WOODEN SHJIPS
by Edgar Smith

"We’re not really about pop at all; we’re more about the repetition and the trance and...

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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
WOODS
by Stuart Stubbs

They’re a secretive bunch, but Woods’ knack for melodic garage folk is steadily becomi...

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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
NEU!
by Edgar Smith

Edgar Smiths talks to Rother about his frustrating relationship with Dinger, shunning the ...

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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
MOUNT KIMBIE
by Ian Roebuck

A curious, grumpy meeting with a duo responsible for the new sound of dubstep.

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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010
FUTURE ISLANDS
by Stuart Stubbs

The heart-on-your-sleeve Baltimore band who’ve done the improbable and made a listenable...

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Originally published in issue 17 (vol 3) of Loud And Quiet. May 2010