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INTERVIEWS
PRINZHORN DANCE SCHOOL
by Polly Rappaport

We ask the ever-uncompromising Suzi Horn and Tobin Prinz where the hell have they been for the last 4 years.

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Originally published in issue 34 (vol 3) of Loud And Quiet. January 2012
GIRLS
by Chal Ravens

Christopher Owens is the nucleus of Girls, subject to his own chaotic quantum laws on the quest to write the perfect bittersweet pop song. Two albums and one EP into his late-blooming music career, he’s getting cl...

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Originally published in issue 33 (vol 3) of Loud And Quiet. November 2011.
JOKER
by D K Goldstein

The Bristol music scene has always had one foot heavily rooted in experimentation and a few toes from the other in grimey and raw dubstep beats.

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Originally published in issue 33 (vol 3) of Loud And Quiet. November 2011.
GABRIEL BRUCE
by Ian Roebuck

Antiquarian book dealer, illustrator, singer, taxidermist. All of these virtues are extolled by Gabriel Bruce, but the modest gent in front of us would prefer to be known as ‘an entertainer’.

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Originally published in issue 33 (vol 3) of Loud And Quiet. November 2011.
THE BLACK KEYS
by Reef Younis

A decade on from the rough recordings from an Akron basement, The Black Keys are a band dealing with the glare of black tux and red carpet award ceremonies.

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Originally published in issue 33 (vol 3) of Loud And Quiet. November 2011.
STILL CORNERS
by Daniel Dylan Wray

Greg Hughes, founding member and principal songwriter behind Still Corners, is an American living in London, finding his way over from Texas in 2002 due to “a girl”.

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Originally published in issue 32 (vol 3) of Loud And Quiet. October 2011.
GHOSTPOET
by Stuart Stubbs

Obaro Ejimiwe requesting that we meet at Tate Britain only confirms how differently he approaches things compared to most young musicians, and, in turn, how his year has been quite unlike anyone else’s.

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Originally published in issue 33 (vol 3) of Loud And Quiet. November 2011.