AOTY 2023: “In order to achieve resonance in this music and formation, verbal communication is not necessary” – Divide and Dissolveshort1 Dec 2023
99LETTERS – Zigoku: Cohesive works of sonic world-building from the electronic producerreviews17 Nov 2023
Armand Hammer – We Buy Diabetic Test Strips: One of the best hip hop records of the year, pure and simplereviews2 Oct 2023
Fat Tony & Taydex – I Will Make A Baby In This Damn Economy: Loads of ideas thrown at the wall – quite a few of them stickreviews21 Aug 2023
Fran Lobo – Burning It Feels Like: Committed, liberated-feeling work from the London artistreviews14 Aug 2023
Injury Reserve as they become By Storm: “Sometimes a minute-long song can be more to chew on than most albums”interview2 Aug 2023
Iceboy Violet – Not A Dream But A Controlled Explosion: Intoxicating experimental rap from Manchester's leftfield fringereviews31 Jul 2023
“Don’t take this the wrong way”: looking back at that extremely silly Alex Turner BRITS speechshort6 Mar 2023
Beqa Ungiadze – სადგური [Station]: An early contender for ambient album of the yearreviews20 Feb 2023
Various Artists – Future Chorus: You've not heard a vocal album quite like this beforereviews23 Jan 2023
New Orleans noise-punks Special Interest: “People are learning how to handle conflict – to engage in actual action”interview16 Dec 2022
“We’ve had to reimagine these songs over and over again”: Naima Bock on making one of 2022’s best albumsinterview7 Dec 2022
“I’ve been steeling myself for people not to like it”: Richard Dawson on making one of the best albums of 2022interview5 Dec 2022
Queasy Pieces – Queasy Pieces: Satisfyingly wacky art-pop from a one-man DIY projectreviews21 Nov 2022
Jemma Freeman and the Cosmic Something – Miffed: Excitable queer escapism from the London suburbsreviews21 Nov 2022
New album Endure perfectly demonstrates why Special Interest are one of the most exciting bands in the world right nowreviews31 Oct 2022
