“We’ve had to reimagine these songs over and over again”: Naima Bock on making one of 2022’s best albumsBy Luke Cartledge7 Dec 2022
“I’ve been steeling myself for people not to like it”: Richard Dawson on making one of the best albums of 2022By Luke Cartledge5 Dec 2022
“It’s where we’re at right now”: Infinity Knives & Brian Ennals on making our album of the yearBy Skye Butchard2 Dec 2022
Acid Klaus: “Have I ever thought about giving up? Yeah, pretty much every 15 minutes”By Daniel Dylan Wray14 Nov 2022
James Yorkston: “If one is in a position where one can do art for a living then it’d be foolish to look elsewhere”By Tristan Gatward11 Nov 2022
Piglet: “The government has completely failed us, so we need to step up for each other”By Skye Butchard9 Nov 2022
“Oh god, I don’t know why I’ve kept this old thing around”: in the studio with SorryBy Dominic Haley7 Nov 2022
Shit and Shine: “I’ve embraced not understanding how to make proper music”By Dafydd Jenkins3 Nov 2022
Alt-jazz songwriter Donna Thompson: “I didn’t force anything – I just want people to feel at ease”By Max Pilley2 Nov 2022
Big Joanie: “Once we started this band, other punks of colour weren’t hard to find”By Michelle Kambasha28 Oct 2022
Quantum electronica producer Herva: “I try to solve problems that cannot be solved by classical computers”By Luke Cartledge27 Oct 2022
Show Me The Body: “Build something of your own, with your friends, in your community”By Jasleen Dhindsa21 Oct 2022
Witch Fever: “People often underestimated how heavy we were gonna be because we weren’t all men”By Hayden Merrick20 Oct 2022
