Italia 90: “We’ve never been the most prolific bunch; maybe that’s because we’re all friends”By Dominic Haley6 Jan 2023
Technology + Teamwork: “We sort of thought being in a band was embarrassing”By Jasleen Dhindsa4 Jan 2023
Heartworms: “I found something in military imagery and history that makes me feel very grounded”By Zhenzhen Yu20 Dec 2022
New Orleans noise-punks Special Interest: “People are learning how to handle conflict – to engage in actual action”By Luke Cartledge16 Dec 2022
“We’ve had to reimagine these songs over and over again”: Naima Bock on making one of 2022’s best albumsBy Luke Cartledge7 Dec 2022
“I’ve been steeling myself for people not to like it”: Richard Dawson on making one of the best albums of 2022By Luke Cartledge5 Dec 2022
“It’s where we’re at right now”: Infinity Knives & Brian Ennals on making our album of the yearBy Skye Butchard2 Dec 2022
Acid Klaus: “Have I ever thought about giving up? Yeah, pretty much every 15 minutes”By Daniel Dylan Wray14 Nov 2022
James Yorkston: “If one is in a position where one can do art for a living then it’d be foolish to look elsewhere”By Tristan Gatward11 Nov 2022
Piglet: “The government has completely failed us, so we need to step up for each other”By Skye Butchard9 Nov 2022
“Oh god, I don’t know why I’ve kept this old thing around”: in the studio with SorryBy Dominic Haley7 Nov 2022
Shit and Shine: “I’ve embraced not understanding how to make proper music”By Dafydd Jenkins3 Nov 2022
