******** are a near ungoogleable duo from Edinburgh, and their first - and last - album is very goodreviews22 Jan 2018
La Féline 'Triomphe' is a significant evolution from the synth pop of her last two albumsreviews19 Jan 2018
There's the odd moment of adventure on First Aid Kit's 'Ruins' but mostly it stays firmly in its lanereviews19 Jan 2018
An album about grief - A Grave With No Name's new LP has a lot in common with Sufjan Stevens' ‘Carrie & Lowell’reviews18 Jan 2018
The last time The Longcut released an album Susan Boyle was the biggest thing in musicListening Post17 Jan 2018
From carefree youth to drained adulthood Porches conveys it all in meticulous fashion on 'The House'reviews17 Jan 2018
Like pirate radio? North Carolina producer Hanz's new EP is kind of like the sound of a dozen stations playing simultaneouslyreviews17 Jan 2018
For all its pop sensibilities, The Go! Team's 'Semicircle' is an acquired taste - because it's so zanyreviews16 Jan 2018
The She's place the politics in the title of 'All Female Rock And Roll Quartet' - the rest is straightforward indie-popreviews16 Jan 2018
Shopping's 'The Official Body' might be a DIY album, but it's also a wake up call to actionreviews15 Jan 2018
tUne-yArDs' new LP puts Merrill Garbus at the centre of an examination into millennial whitenessreviews15 Jan 2018
Black Rebel Motorcycle Club's 8th LP is a battle between the brutally good and the terminally badreviews10 Jan 2018
'Mother' is the final instalment in Xylouris White's trilogy of LPs about past and future, myth and everyday lifereviews9 Jan 2018
Shame are smart enough to not overthink something as instinctive and fun as your first albumreviews8 Jan 2018
