Helen Ganya Brown, aka Dog In The Snow, wrote the songs on ‘Vanishing Lands’ after a period of strange monochrome dreams. They were then lent flashes of colour, which rarely extend beyond muted purples, by co-producer Rob Flynn.
Exploring a “ruined world” scenario, the Brighton based musician links the tracks on her second album through repeated phrases. This layering of references to “harsh light, obscura” and “nightmare empires” create a claustrophobic, liminal space even before she starkly gasps, ‘I’m sick of fearing everything’.
The dread shifts and ebbs across the ten tracks and although the grip never loosens, partial relief is provided in sonic variation. The release opens with a clutch of songs that turn up the darkness within Self Esteem’s electronic-pop, the sickness on ‘Dual Terror’ infecting background vocals that are being squeezed out of an air tunnel.
The sense of unease is often amorphous, although ‘Fall Empire’ opens with an environmental warning from experimental documentary Koyaanisqatsi. Elsewhere it’s created through musical motifs: the low-slung guitars of early New Order on ‘Icaria’, and the spacious, desolate atmospherics of the Cocteau Twins on ‘This Only City’.
It closes with ‘Dark’, on which the ascending notes suggest a final parting of the black clouds.
Loud And Quiet needs your help
The COVID-19 crisis has cut off our advertising revenue stream, which is how we’ve always funded how we promoted new independent artists.
Now we must ask for your help.
If you enjoy our articles, photography and podcasts, please consider becoming a subscribing member. It works out to just £1 per week, to receive our next 6 issues, our 15-year anniversary zine, access to our digital editions, the L&Q brass pin, exclusive playlists, the L&Q bookmark and loads of other extras.