A Grave With No Name

(Forged Artifacts)


Despite having the name of a death metal band, A Grave With No Name is the long-standing art rock labour of love of Alex Shields and ‘Passover’ is his sixth album. Written after the death of his grandmother, it bears a striking resemblance in atmosphere and style to Sufjan Stevens’ ‘Carrie & Lowell’, a record about the death of Stevens’ mother. When the mood shifts it also has a jaunty Ryley Walker influence; when it isn’t stark it’s folk rock that sounds like the best bits of Conor O’Brien’s Villagers.

New single ‘Wreath’ meanwhile is a close cousin to Gomez’s ‘Tijuana Lady’, a ballad of alt-country acoustic guitar and bass. ‘Passover’ marks a change in personnel for AGWNN as Shields rejects the varied contributors on previous albums that were characterised by drone-pop and instead strips it back to a simple three-piece band setup. What the album possesses in earthy atmosphere, though, it eventually lacks in dynamics and texture. A record based on loss and the aftermath at the family home, it has it’s moments of plain emotion, but at times it feels as if the pain was almost too much to get across.

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