The sequel to the director and composer's first ever non-soundtrack material, is according to its creator, a "more focused effort".
There are very few artists whose music has been so firmly planted in the mind of the listener – without actually having made an album – than John Carpenter. So when the film director, writer and score composer released his debut record, ‘Lost Themes’, last year, it felt like a continuation; a prolonged sense of evolution rather than a new birth. His superlative music for his films live on way beyond their contextual narrative, just as his eerie, dystopian sci-fi explorations are as much defining pieces of music for the medium and operation of the synthesiser as they are the cinematic events they’re usually meant for.
He continues his well-honed craft and tone on album number two – the instrumental, synth-washed soundscapes could easily be creating a cinematic world here, but they exist on their own all the same. There are whiffs of doom and dread on ‘Lost Themes II’, a lingering, ominous sense of pathos, and yet there’s sparkling euphoria also; a rising, propulsive churn that feels more contemporary in its execution, not too dissimilar to Fuck Buttons.
Loud And Quiet needs your help
The COVID-19 crisis has cut off our advertising revenue stream, which is how we’ve always funded how we promoted new independent artists.
Now we must ask for your help.
If you enjoy our articles, photography and podcasts, please consider becoming a subscribing member. It works out to just £1 per week, to receive our next 6 issues, our 15-year anniversary zine, access to our digital editions, the L&Q brass pin, exclusive playlists, the L&Q bookmark and loads of other extras.