Although the music of Los Angeles beatmaker Ringgo Ancheta on his latest tape tends toward J Dilla wholesomeness, cresting careful, warm instrumentals into gloriously deft collages, the vignettes on Snaxx are in dialogue with many a genre: funk, neosoul, jazz loops, psychedelic R&B, even some blown-out ripples of soothing ambient.
Snaxx’’s genesis is MNDSGN’s generosity of spirit. Ringgo Ancheta, the man behind the moniker, wanted to release a pair of stopgap tapes to hold ravenous fans over until the next studio album: last year’s Snax – a deliriously groovy, bouncing tape of remixes sprinkled with clipped voices of Nas and Method Man – and now Snaxx, a more considered, immersive follow-up brimming with the types of atmospheric productions Ancheta favours spinning in live DJ sets.
‘Spreads’ is sensual, smoke-shrouded R&B, slathered in jazzy chords and funk bass that drip like candle wax; ‘Hydration Station’ is a Flying Lotus reminiscent masterturn in omnidirectional drum pattering and weird, freaky synthesizers; ‘Unnecessary’ sounds like something Madlib concocted for the new Freddie Gibbs album; and ‘Deviled Eggs’, the slinky lead single, lurches with a moody Kaytranada bass, making the dancing keys and warm, static-laden drums curl into one another’s arms.
The conciseness of each cut (averaging about 2 minutes) can be misleading: the interplay between idiosyncratic samples, gleaming synths and grime-encrusted drums has enough audaciousness (and artful mixing and sequencing) to make the tape unfurl like one of those dreams you’d rather not wake from. On the more jazz-centric cuts, the iconoclasticism of Robert Glasper and the pretty experiments of friend and peer Knxwledge come to mind; during the spunkier moments there are echoes of Dam Funk’s sun-bleached, velvet-smooth modern funk. As intended, there’s enough cosmic soul here to luxuriate your mind right through until MNDSGN’s next full release.
Support Loud And Quiet from £3 per month and we'll post you our next 9 magazines
As all of us are constantly reminded, it’s getting harder for independent publishers to stay in business, which applies to Loud And Quiet more now than ever, 14 years after we first started printing a magazine that we’ve always given away for free.
Having thought about the best way to support our running costs (the printing and distribution fees, the podcast and production costs etc.) we’d like to ask our readers who really enjoy what we do to subscribe to our next 9 issues over the next 12 months. The cheapest we can afford to do this for works out at £3 per month for UK subscribers, charged yearly.
If that seems like a bit of a punt, you can pay-as-you-go for £4 per month and cancel any time you like. European and world plans are available too, at the lowest rate we can afford.
It’s not just a donation – you’ll receive a physical copy of our magazine through your door and some extra perks detailed on our subscribe page. Digital subscriptions are available worldwide for £15 per year. We hope you consider this a good deal and the best way to keep Loud And Quiet in your life without its content, independence or existence suffering.