Short

There’s a certain edge lacking to Kelela’s visually stunning but ultimately quite cold live show

Profound more than fun

Given her past leanings to British native sub-genres such as UK bass and UK garage, a headline show at the Roundhouse has definite significance for Kelela. Even during the set she utters, “I’m so used to being the support act.”

Despite this implying a musical homecoming for the American singer, she is almost certainly outdone by her support act, Rina Sawayama, whose performance is littered with sonic odes to ’90s and ’00s pop music, channelling the production of Britney Spears and N-Sync. Aesthetically it’s just as vibrant, as she sports bleached lime green and red hair.

Kelela, on the other hand, guns for something a little more profound than fun. She opens the set on ‘LMK’, perhaps her closest thing to a pop banger. But the song is stripped of its immediacy; she toys with it and slows it down. Where there was once immediate joy, there is in its place something more reflective. Although it’s an interesting rendition it’s definitely inferior to the recorded version, leaving her on the back foot from the off.

2017’s debut LP ‘Take Me Apart’ floated on the periphery of the mainstream, granting her much acclaim. This provides the bulk of tonight’s material as Kelela glides through tracks like ‘Blue Light’ and ‘Waitin’ from with stunning vocals and choreography, but she lacks a certain edge – that extra something she had during the days of her ‘Hallucinogen’ EP. One of the evening’s peaks comes when she performs the Arca-produced ‘A Message’, a texturally diverse number that, for a second, makes the R&B star make a lot of sense.

The problem with Kelela’s is that she’s not quite as odd as an artist like Arca or Klein, but isn’t as fun as Rina Sawayama or even someone like Jessy Lanza. Her music fits into a middle ground, an impasse, a void. It makes it all the more frustrating when she closes with ‘Rewind’, which at long last breathes life into an entire venue that had been static for the majority of the set.

Kelela at @ Roundhouse, London – Thursday 22 February 2018

Support Loud And Quiet from £3 per month and we'll post you our next 9 magazines

As all of us are constantly reminded, it’s getting harder for independent publishers to stay in business, which applies to Loud And Quiet more now than ever, 14 years after we first started printing a magazine that we’ve always given away for free.

Having thought about the best way to support the costs of what we do (the printing and server fees, the podcast and video production costs etc.) we’d like to ask our readers who really enjoy what we do to subscribe to our next 9 issues over the next 12 months. The cheapest we can afford to do this for is a recurring payment of £3 per month for UK subscribers. If you really start to hate it you can cancel at any time. The same goes for European subscriptions (£6 per month) and the rest of the world (£8 per month).

It’s not just a donation – you’ll receive a physical copy of our magazine through your door, and some extra perks detailed on our subscribe page. Digital subscriptions are available worldwide for £15 per year. We hope you consider this a good deal and the best way to keep Loud And Quiet in your life without its content, independence or existence suffering.