Keely Forsyth



Keeley Forsyth’s Debris could easily be described as “haunting”, but that implies absence and Forsyth is most definitely here. The 41-year-old actor (Happy Valley, Coronation Street) has arrived fully formed, certain of what she wanted her debut to be: melancholic, contemplative, and deeply devastating.

Her voice immediately strikes you, the aching vulnerability reminiscent of Nico or early Bon Iver, all the half-hit notes and breathing noises included to give honesty and humanity to tracks. It’s like overhearing someone singing to themselves, too afraid to be heard but too lonely to stay quiet anymore.

Whilst the performance is very Nico, the lyrics are very Virginia Woolf, all fragments of lonely thoughts competing with each other, particularly evident on ‘Butterfly’ and ‘Black Bull’ (my two favourites). I will say that Forsyth has a comfort zone, and aside from ‘Start Again’’s ’80s synth pad, she rarely ventures outside of her lower-pitched songs of sorrow, which isn’t necessarily a criticism: the atmosphere is so well considered that a different sound for the sake of it would no doubt throw everything off balance. The production (commonly strings that devolve into feedback and thudding piano chords) gives an atmospheric fog which sometimes works too well, obscuring Forsyth’s fragile voice and therefore her strong lyricism. But again the atmosphere created is worth the sacrifice, and the pure vulnerability Forsyth shows makes this worth your while. If more debuts from 2020 are this good it’ll be a fine year.

Loud And Quiet needs your help

The COVID-19 crisis has cut off our advertising revenue stream, which is how we’ve always funded how we promoted new independent artists.

Now we must ask for your help.

If you enjoy our articles, photography and podcasts, please consider becoming a subscribing member. It works out to just £1 per week, to receive our next 6 issues, our 15-year anniversary zine, access to our digital editions, the L&Q brass pin, exclusive playlists, the L&Q bookmark and loads of other extras.