Reviews

Spectres
Dead

(Sonic Cathedral)

7/10

A little over a year since this Devon-born, Bristol-based four-piece released the critically acclaimed ‘Dying’ comes the imaginatively titled ‘Dead’; thirteen “re-imaginings” of the tracks from their debut by a selection of artists hand-picked by the band themselves. “The only instruction was ‘kill our songs’,” they claim, and from the opening salvo of ‘Drag’, whose 90 seconds of unsettling industrial noise has been stretched and warped into a three-minute pulsating demon by experimental drone trio Vision Fortune, it’s clear that everyone involved has tried to drive these songs right over the edge.

Some achieve this better than others (Factory Floor, Mogwai, and Andy Bell infuse theirs with the same qualities they bring to their day jobs, the latter in particular turning ‘Sea Of Trees’ into a trippy, euphoric odyssey) but recasting brutally uncompromising noise rock across a variety of genres was always likely to lead to such highs and lows. Spectres should be applauded for their daring, and for continuing to forage their own unique path through music.

Subscribe to save Loud And Quiet

The COVID-19 crisis has really hit Loud And Quiet hard, cutting off our advertising revenue stream, which is how we’ve always funded what we do in order to keep the magazine free for our readers.

Now we must ask for your help to save us.

If you enjoy our articles, photography and podcasts, and if you can afford to, please consider subscribing to Loud And Quiet. With FREE delivery in the UK (international subscriptions also available), it works out to just £1 per week.

If we don’t receive enough subscribers, we’ll be closing down.

We’ll post you our next 6 issues, a handmade lockdown fanzine, access to our digital editions, an L&Q brass pin, playlists, a bookmark and some other extras.