And, no, it wasn't making prog techno
I used to play in the working men’s club, and I was a really good young player, so the committee decided to present me with a cue case for being good. It was at Plumstead Common Working Men’s Club, at the annual dinner and dance upstairs in the function room. My father loved playing snooker, and you had to go to social clubs to find snooker tables back then, and so I followed in his hobby footsteps opposed to any other footsteps.
It was the crappiest cue case you’ve ever seen. I look really happy though. That’s the happiest I’ve seen myself as a snooker player – I went on to be a really miserable bastard on television.
Going into the club at 16, which is such an adult world, was a breath of fresh air in as much as my father was quite well know, so I was welcomed into the cliquey club of the snooker people. So very quickly I had a bunch of adult friends who looked out for me. There was a different type of humour there, so it was like a dual life between school and the club. It was a way of growing up quicker than sitting around at school with my peers.
As I started to get good and realise that all I wanted to do was play snooker, I was gravitating more towards the club than hanging out with my mates and doing what teenagers would have done. I lost a little bit of those latter teenage years of losing the plot with people who were the same age as you and finding yourself as an adult. I lost out on that in preference of a lone pursuit of trying to become very good at something I was drawn to like a magnet.
My mates at school weren’t even aware of what I was doing. My French teacher knew I played snooker because on a Monday morning when we had a French class he’d be going around the classroom asking what people did at the weekend and my pre prepared answer was “J’ai joué au snooker”. Everyone was like, “Great one. Good lie, Steve – where did you come up with that one?”. I’d say the same thing every week.
My only other interest was music, but snooker became all-consuming. If you’re going to be good at something like that it absolutely grabs you by the throat and you don’t have any choice in it. I’m surprised I did anything else, but I did manage to go to some gigs, although never a festival – festivals are something I’ve only started getting into now.
The music I was listening to was prog rock. Everybody knew about Tubular Bells and Genesis and Yes, but I sought out stuff and was a child of John Peel’s show and Alan Freeman’s. The music I really liked was a band called Gentle Giant, another one called Magma, a Welsh band called Man. And then of course all of the Cantebury jazz rock scene that included Soft Machine, Caravan, Hatfield and the North and Henry Cow.
When you look at this picture of my hair, when I did go to a concert – and I had an afghan coat that I’d wear – I looked quite normal there; a bit stranger in the working men’s club.
I certainly wasn’t a rebel. I’m now trying to live my life in reverse and be a rebel now, which is much more fun. When I was 16 I was going to bed with a glass of hot milk at ten o’clock so that I could get up early to practice; my aim is now to wake up face down in a puddle at Glastonbury in a heap. And that’s the way I want to go out.
As told to: Stuart Stubbs
Read previous Sweet 16 columns with the likes of Wayne Coyne, Adam Green, Carly Rae Jepsen, Riz Ahmed, Johnny Marr, Shirley Manson, Matt Helders and many more. Or listen to our Sweet 16 live podcast series.
Support Loud And Quiet from £3 per month and we'll post you our next 9 magazines
As all of us are constantly reminded, it’s getting harder for independent publishers to stay in business, which applies to Loud And Quiet more now than ever, 14 years after we first started printing a magazine that we’ve always given away for free.
Having thought about the best way to support our running costs (the printing and distribution fees, the podcast and production costs etc.) we’d like to ask our readers who really enjoy what we do to subscribe to our next 9 issues over the next 12 months. The cheapest we can afford to do this for works out at £3 per month for UK subscribers, charged yearly.
If that seems like a bit of a punt, you can pay-as-you-go for £4 per month and cancel any time you like. European and world plans are available too, at the lowest rate we can afford.
It’s not just a donation – you’ll receive a physical copy of our magazine through your door and some extra perks detailed on our subscribe page. Digital subscriptions are available worldwide for £15 per year. We hope you consider this a good deal and the best way to keep Loud And Quiet in your life without its content, independence or existence suffering.