Cat Power



On 2012’s ‘Sun’, Cat Power stepped outside of what seemed like her comfort zone and produced a record that placed synthesisers in predominant positions and sometimes embraced auto-tune. Six years on, Chan Marshall finds herself returning to a more familiar sphere. Produced entirely by Marshall herself, ‘Wanderer’ is built almost entirely on a foundation of guitar and piano, occasionally accompanied by light percussion. There’s only a couple of tracks that have a full band stomp; the rest are often minimal in their construction.

The simplicity moves between intermittent playfulness and sombre; ‘Horizon’ temporarily re-embraces auto-tune for textured harmonies, while ‘Me Voy’ combines classical guitar and a haunting piano climax with spine-tingling results. Harking back to ‘The Covers Record’ and ‘Jukebox’, she takes on Rihanna’s ‘Stay’; keeping just a piano line as the base further exposes the inherent vulnerability of the track.

However, occasionally – particularly in the album’s latter half – the melodies can feel just a little bit too sparse. The advantage of this, though, is that it places Marshall’s vocals and her tales at the very forefront of the record. She draws on the spirit of folk and blues predecessors and presents what Marshall calls “my journey so far.” As such, when on ‘Black’ she says “let me tell you a story about black” and falls into a relatively conversational yet thoroughly engrossing narrative, it’s pretty much impossible not to become absorbed in what she has to say.

‘Horizon’ touches on the tension between maintaining familial bonds and living a nomadic lifestyle, Marshall singing, “You’re on the horizon / I’m headed the other way.” Lana Del Rey provides backing vocals on ‘Woman’, a move that demonstrates how much she and Marshall are kindred spirits. On it, they point towards gender oppression (“your cage is like a weapon”) but subvert it before reaching a stirring, defiant denouement where they repeatedly cry out a simple yet powerful phrase: “I’m a woman.” ‘Wanderer’ may occasionally feel a little too thin, melodically, but it continues to reaffirm that no one quite writes songs of experience like Chan Marshall.

Support Loud And Quiet from £3 per month and we'll post you our next 9 magazines

As all of us are constantly reminded, it’s getting harder for independent publishers to stay in business, which applies to Loud And Quiet more now than ever, 14 years after we first started printing a magazine that we’ve always given away for free.

Having thought about the best way to support our running costs (the printing and distribution fees, the podcast and production costs etc.) we’d like to ask our readers who really enjoy what we do to subscribe to our next 9 issues over the next 12 months. The cheapest we can afford to do this for works out at £3 per month for UK subscribers, charged yearly.

If that seems like a bit of a punt, you can pay-as-you-go for £4 per month and cancel any time you like. European and world plans are available too, at the lowest rate we can afford.

It’s not just a donation – you’ll receive a physical copy of our magazine through your door and some extra perks detailed on our subscribe page. Digital subscriptions are available worldwide for £15 per year. We hope you consider this a good deal and the best way to keep Loud And Quiet in your life without its content, independence or existence suffering.