As their self-titled debut showed, Goat Girl are one of the few British acts still capable of making guitars sound genuinely thrilling, with their dispatches from the frontline of being young, in a city and slightly sad.
In-keeping with their South London peers, they’ve embraced electronics on this record, and whilst – unlike, say, PVA or Jockstrap – those sounds aren’t front and centre, they’re leading down some interesting new avenues. Take the woozy ‘(Jazz) in the Supermarket’, with its nagging daydream synth line that suggests a recent interest in Broadcast. The relatively straightforward, dancefloor-focused ‘Sad Cowboy’, a brilliant disco-not-disco dirge, is tempered by a droll delivery that intelligently refuses to quite let it become a banger. ‘Anxiety Feels’ and ‘PTS Tea’ make lyrically explicit the powerful, fuggy melancholia that permeates the record, and opener ‘Pest’ continues the well-observed gender politics that were often the engine of their debut. The more experimental points, like the off-kilter Krautrock groove of ‘Once Again’, could be teased out more, but one suspects that this is the work of future Goat Girl releases. On All Fours feels like a transitional record, but in the best sense of that term. This band’s possibilities remain wide open.
Please support Loud And Quiet if you can
If you’re a fan of what we do, please consider subscribing to L&Q to help fund our support of new musicians and independent labels
You can make a big difference for a few pounds per month, and in return we’ll send you our magazines, exclusive flexi discs, and other subscriber bonus bits and pieces
Try for a month and cancel anytime